Monday, July 22, 2013

Criterion Review #2 (nostalgia)

(nostalgia) (1971)

Hollis Frampton is a name that is new to me.  He was an avant-garde artist working in the 70s and 80s until his death in 1984 at the age of 48.

(nostalgia) is a film that is part of a larger collection called Hapax Legomena.  It is 36 minutes long, and depicts a series of 12 photographs, slowly burning on a stove-top as Frampton's voice-over tells us the origins and back-stories of each.

There is, however, one twist: over each photograph, Frampton tells us the story of the next photograph, which we haven't seen yet.  Therefore, with each new photograph, we have to choose: do we listen to the story of the next photograph, so that we can recognize his descriptions when it comes along?  Or do we watch the current photograph slowly burn away into ash?  (nostalgia) seems to comment on our memories and our attempts to preserve the past: what is a photograph but a preservation of a moment?  Is it a futile attempt or a valiant one?  Should we instead focus on the present?  As we watch each photograph burn, we realize the moment in the past has been replaced with the Now.  Time moves along, and moments fade away like fire into ash...




Criterion Review #1 ...And the Pursuit of Happiness

...And the Pursuit of Happiness (1986)

This documentary by Louis Malle examines the wide range of immigrant experiences in America in the 1980s, told through interviews and Malle's own occasional commentary.  The scope of the film is impressive.  Malle interviews a Costa Rican astronaut working for NASA, a Vietnamese doctor living in Nebraska, an Ethiopian working for Texas Instruments, several Mexican immigrants as they attempt to cross the border, a West Indian poet, an Indian motel owner and his family, and a deposed Nicaraguan general, among others.

The most fascinating aspect of this documentary, besides the individuals whose stories are told, is how they are all linked under the banner of America.  What do these stories say about this country?  Watching it today, in a post-post-911 world, one cannot help but reflect upon how America has changed and yet has remained utterly the same as it was in the 80s.  Why is it, for instance, that many Indian and Asian immigrants continue to thrive in the American economic model, while Latino-Americans and African-Americans have largely been relegated to the lower classes, working the jobs on the bottom rung?  What's in a culture that determines its individuals' success rates?

Take, for example, the Ethiopian man who came to America and worked his way up from dish washer, to cab driver, to Texas Instruments employee.  Is he not proof that if you work hard enough, you can make a comfortable life for yourself in America?  Or the Indian motel owner who had nothing when he came here and now owns real estate all over San Jose?  But look again, and you will see the Mexican field worker, working just as hard with not near the success at climbing up the economic ladder. 
  
As the first interviewee says, many immigrants "come with a lot of dreams and we work hard to fulfill them."  And most of the interviewees in the film say they love America, even when they miss their home countries or struggle to find a way to support their families.

The documentary takes no sides, but presents each person's case from a humanistic standpoint, listening to their stories, empathizing with their situations.  In the end, Malle thanks the people who agreed to be interviewed, admiring their tremendous courage.

As a White person born in this country, with no immediate relatives who were immigrants, devoid of any culture but American culture (and really, what is that?) and with all freedoms given to me straightway, the film, I'm ashamed to say, made me a little envious.  To have such immediate purpose as the immigrants who come to this country do, and to have to work so hard just to make a comfortable life for one's self.... that, in itself, seems to be its own fulfillment. 



   


Criterion on Hulu: From ...And the Pursuit of Happiness to Zorns Lemma

Ok.  Look.  I know this is impossible.  I know it is.  Because before I'm done watching all these damn movies, there will be at least 500 more added.  What are the rules?  The conditions?  Let's just say this: Starting today, June 22nd, 2013, the Criterion films available on Hulu Plus are the films I'm dedicated to watching.  Just these 800 or so titles.  Which means, should I get to the movie M, only to learn that Hulu has added Life During Wartime the day before, I'm NOT responsible for going back and picking it up.  There's only so much time, dammit, and I'm about to embark on a mission of utmost futility that will almost certainly end with my going insane or becoming depressed at the pointlessness of the assignment which I have handed myself.

As you can see, my last blog post was in September... almost two years ago.  To say that I'm not exactly great at maintaining my blog would be more than just an understatement.  It would be completely incorrect.  I have not kept up my blog.  This assignment, therefore, is a catalyst for a total reinvigoration of my inner-writer.  I've been neglecting this part of myself, and must, for whatever reason, break through the levee and flood the structures that have grown like weeds in my mind to block my creativity and generativeness.

So, here, in short, is my mission statement:

I will, under any and all circumstances, watch (at least) 5 criterion movies a week and write my reaction to these films.  Should I keep on this pace, I will be done watching these films in approximately... 3 1/2 years.  This is a 3 year project I'm proposing.  Holy shit.  I didn't realize I was dedicating the next 3 years of my life to this.  Oh well, it's been written.  Damn it all.

Feel free to weigh in, tell me I'm stupid, or champion me on this self-imposed exile from having a real life.

Thanks for reading.

Best,
McGG

  

Sunday, August 28, 2011

Shawnee and My Cool New Roommate

So the blog inevitably becomes about me.  A blog about movies is unsustainable anyway, and I included Digressive in the blog title, so I feel self-indulgence is warranted here.  Plus, it's my generation's favorite pastime with our endless social media functions and obsession with our own hand-selected images proffered over the internets for all to see...

Anyway, for those who don't know, I'm beginning grad school at Ohio University in Athens, Ohio for film production in about a week.  I've been here in Athens for a month already taking summer classes, but I've been spending a lot of time alone waiting for my roommates to get here.  Not that I haven't made friends... I have and they're superkool.  Most are film production students going into their 2nd or 3rd years, some are even graduating and moving away unfortunately, but I've also met some people from the theater department and the bars.

Yes, the bars.  This school was just named the #1 party school in all the nation, a title most people here are pretty proud of, even if the school wishes to discourage that association.  The reason this school is the #1 party school in the nation is that there are a lot of bars downtown (which is basically an extension of campus, seriously, it's that small) and ... that's... about... it.  Sure, there's some nature trails and a nice lake where you can swim and a movie theatre and a ... Wal Mart... and a ... Mall... and some good restaurants.  But, yeah, this place is a smaller town than I've ever lived.

So, it was a welcome change when my roommate Tae showed up.  Tae is going to be a graduate photojournalism major at the school and I can already tell we're gonna be buddies.  We've been going around town procuring necessary house items (yes mom, unfortunately most were bought at Wal Mart. I don't like it either) and trying restaurants and, of course, hitting up the bars.

But the other day, Tae and I and a few Athens experts drove around the surrounding towns and checked them out.  A mini-adventure, I would say.

I think the consensus was that Shawnee was the favorite stop of the trip, as we fortuitously ran into a guy who was renovating an old movie theater and unlocked it so we could go in and look around.  Behold, the decayed man-made splendor of yore!











All photos by Taehoon Kim, except for the last which was taken by Chris Icafano.  Stay tuned...